In 1218 Danish king Valdemar sends his homonymous young son and heir in safety, as war is at the borders, to Erskil, the bishop of Ravensburg, who is instructed to see to the prince's education. Alas the bishop is the brain of a conspiracy to seize the crown for himself, as most of the nobles are dissatisfied with the endless wars that bring them no profit. The prince and kitchen-boy Aske accidentally fall out of the castle and overhear the conspirators, but are seen and pursued by the men of the One-eyed Man, a feared mercenary who is in the conspiracy to take mortal revenge on the king for leaving him behind on a battlefield where he lost an eye which was eaten by an eagle, which he tamed and now shares his sight with.

Circumstances force the unstructured yet charming Danish Bohemian novelist, Simon, to share his flat in Copenhagen with the very organized and beautiful Swedish lawyer, Malou. Simon dreams of children and a family. Malou is solely focused on her career. Despite being in opposition they warm up to each other. But even though opposites do attract - can they also manage to live together? Against all odds their meeting sets off a chain of events, which will ultimately change their lives forever.

"Count Axel" is a comedy that takes place somewhere in the nordic countries in 1783. It's a classic comedy about mixed identities, with strong elements of contemporary humour and satire. One should conceive "Count Axel" as a scandinavian version of the humour that you will find in works like "Black Adder" and "Life of Brian". A humorous universe that takes off in the big classical epos of our past. It is our inheritance from the time of the feudal era, with evil rich lords; and god, pure pesants that is the set-up in "Count Axel". To take this genre of heavy historical films and twist it in to a crazy comedy with the respect of a strong storyline, that is the ambition of "Count Axel"