Introducing a crazy new genre mash-up from Australian director, Stephen Amis. A WWII sci-fi adventure - full of time-travel, duplicitous Nazi robots, faulty spaceships and giant mega-fauna... Based on the classic novella, 50,000 Years Until Tomorrow by J.J. Solomon, and with a screenplay penned by Amis, David Richardson and Serge DeNardo, the movie is a homage to sci-fi and WWII movies of the 1940's and 50's.

In the summer of 1683, 300,000 warriors of the Ottoman Empire began the siege of Vienna. The fall of the city would have opened the way to conquer Europe. On September 11. was the main battle between the Polish cavalry and the Turks.

A bloodthirsty Bigfoot, which kills without warning, is on a rampage. A strong, beautiful, woman shows up claiming to represent the Government and pushes the local Sheriff into hunting this creature.

When the man who replaced Jesse as Paradise Police Chief was killed when his car exploded, Jesse is asked to return and he does. So he goes to the crime scene and the evidence leads people to believe that the man may have been corrupt. And Jesse, who didn't like him because he took his job, says that he is allowed the benefit of the doubt. Jesse finds himself alone because Suitcase and Rose left when the other Chief was there. Jesse suspects that Hasty might know something, and a guy is following Jesse.

Ashley goes to her new college while getting over the death of her mother. She meets some new people there including Binder ('Shane Dawson') while at a party and she learns about an urban legend of an online killer that has the nickname "Smiley" who can only be seen on the web and he apparently kills people after they type in "I did it for the lulz" three times. Soon after going to the party Ashley and her flatmate Proxy go online to test it out, with horrific results. She becomes paranoid and she starts to think she sees Smiley all over the place and feels that he may be chasing her, but how can that be if he is not real? Have they somehow released him from the internet?

Sammy and Ray, leatherback turtles and friends forever, are enjoying an atoll's water and sand, shepherding new hatchlings Ricky and Ella out to sea. Suddenly, a poacher swoops in and ships them off to be part of a spectacular aquarium show for tourists in Dubai. The kingpin of the place, Big D the seahorse, enlists them in his plans for a great escape. But with their new friends Jimbo the bug-eyed blob fish and Lulu the snippy lobster, Annabel the sweet Octopus, and a whole family of penguins, Sammy and Ray hatch breakout plans of their own. That is when little Ricky and Ella arrive, determined to break in to rescue them. After a series of thrilling adventures and narrow escapes, our heroes head south to meet up with Shelly, Sammy's first and only love.

The global economy is on the brink of collapse. Unemployment tops 24%. Gas is $42 per gallon. Railroads are the main transportation. Brilliant creators, from artists to industrialists, are mysteriously disappearing. Dagny Taggart, COO of Taggart Transcontinental, has discovered an answer to the mounting energy crisis - a prototype of a motor that draws energy from static electricity. But, until she finds its creator, it's useless. It's a race against time. And someone is watching.

In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.

John-Ross and Christopher, the offspring of bitter rivals and brothers JR and Bobby Ewing, clash over the future of the Ewing dynasty, while the fate of SouthFork itself weighs in the balance. The current proprietor of SouthFork, Bobby Ewing, is determined to protect the promise he made to his late mother Miss Ellie. The infamous, scheming JR Ewing returns to SouthFork.

Cuckoo is every parent's worst nightmare - a slacker full of outlandish, New Age ideas.

Be My Slave is a sexually-themed Japanese movie directed by Toru Kamei and based on a novel by Shu Satami. It was released by Kadokawa Pictures in Japan on November 3, 2012. In the film, Hiroaki Mayama plays a publishing company employee who's attracted to his senior coworker Kana (Mitsu Dan), a woman who seems to have a nice, clean image while also giving off a certain air of mystery. After several failed attempts to hit on her, he suddenly gets an unexpected text message from her bluntly stating "Let's have sex tonight". He wonders what brought this on so suddenly, but the chance to be with an unattainable woman drives him to show up at her house. However, when he arrives, he finds a suspicious DVD and witnesses the shocking sexual life she's been leading in secret-one which he will soon become a part of himself.