David Walliams

A young man ushers an older woman into a dark exploration of her past - back to the time when, as a young girl, she met a stranger who affected her life forever.

When her father is declared 'lost at sea', Verma has to come back to Sandylands to manage his affairs.

Mr. Link recruits explorer Sir Lionel Frost to help find his long-lost relatives in the fabled valley of Shangri-La. Along with adventurer Adelina Fortnight, this trio of explorers travel the world to help their new friend.

Agatha Christie's crime-fighting duo, Tommy and Tuppence Beresford, solve mysteries and search for enemy spies in 1950s Britain.

Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.