In a dry and dusty post-apocalyptic world, two wayfarers wander aimlessly until Leif finds a copy of The Wonderful Wizard of Oz. Using the world around him to interpret what he reads, Leif allows the book to challenge the beliefs, friendship, and even the very survival of these two divergent travelers.

A small group of survivors in post-apocalyptic Australia seek shelter from an infection that has spread like a plague among the human populace. Evie (Tegan Crowley) and her fellow survivors become separated from her husband John (Scott Marcus). Evie refuses to leave John behind against the wishes of the group. The survivors revolt and abandon Evie to an uncertain fate. With the unexpected arrival of Charlie (Steven Kennedy) what appears to be an opportunity at a new beginning quickly turns to horror as menacing as the infected that pursue them.

The employees of a big box discount retailer band together when the contract workers are summarily laid off.

Naomi Bishop is an investment banker determined to overcome a previous stain to her professional reputation, which is a challenge in the male dominated financial sector she works in. As Naomi in that spirit makes her move managing a burgeoning new tech IPO, she has to endure not only the condescension of her colleagues, but also her imperious client even as troubling new developments cloud the venture's future. Against that, the probing of a college friend turned Federal investment law prosecutor and the conniving of her double-dealing boyfriend seem to be manageable complications, until a betrayal by a trusted colleague threatens to ruin everything.

Two women go away together. One meets a man that distracts her from being there for her friend. The betrayed friend says, "One day you will need me, and then I won't be there for you." When they next go away together the roles are reversed, the threat becomes reality. But the two situations are not exactly the same - the man in the first scenario was benign, the man in the second scenario is toxic. That and other differences displace the parallel between the two events.

This comedy tells the story of two sisters, a lesbian and a sex-addict, who work as maids at a hotel in a city named Fresno. Their lives change when one of the sisters thinks that they might have accidentally killed a man.

Lane Speer is a 16 year old girl who spends her family vacations camping in the mountains. She takes the memories for granted until she loses her father to a bout with cancer. Only a year later, as Lane is still reeling from her father's death, her mother marries a guy that Lane hardly knows. Worst of all, he is a Mormon. To top it off, while they are on their honeymoon, they arrange to have her stay with her Mormon step-aunt who takes her away to a bible-themed girls camp with a bunch of young Mormon girls. Confronted with memories of camping with her family, she tries to find peace with her new surroundings and deal with the death of her father.

The corrupt Emperor Tiberius forces his bravest general, Marcus, to subdue the monstrous Cyclops that has been decimating the countryside. Once the Cyclops is brought to the dungeons, Marcus is forced to fight in the gladiatorial games. Eventually, he and the Cyclops become allies and they fight together to defeat the corrupt Emperor and his evil nephew, along with the beautiful barbarian Barbara.

During the London Blitz of World War II, Catrin Cole is recruited by the British Ministry of Information to write scripts for propaganda films that the public will actually watch without scoffing. In the line of her new duties, Cole investigates the story of two young women who supposedly piloted a boat in the Dunkirk Evacuation. Although it proved a complete misapprehension, the story becomes the basis for a fictional film with some possible appeal. As Cole labors to write the script with her new colleagues such as Tom Buckley, veteran actor Ambrose Hilliard must accept that his days as a leading man are over as he joins the project. Together, this disparate trio must struggle against such complications such as sexism against Cole, jealous relatives, and political interference in their artistic decisions even as London endures the bombs of the enemy. In the face of those challenges, they share a hope to contribute something meaningful in this time of war and in their own lives.

The Sanguiwon are responsible for the attire worn by royalty. Dol-Seok (Han Suk-Kyu) is the best master artisan in charge of royal attire. He views set rules as paramount to his job. Kong-Jin (Ko Soo) is a genius like designer, born with dexterity and an excellent sense. He was brought to the palace by nobleman Pan-Soo (Ma Dong-Seok) who first spotted his talent. The King (Yoo Yeon-Seok) and Queen (Park Shin-Hye) then become embroiled in a critical case because of the royal attire made by Dol-Seok and Kong-Jin.

A story of three couples and their intertwining love stories set in 1940s Taiwan and Shanghai, centered around the 1949 sinking of Taiping.

"This film is based on the true story of disgraced Korean researcher whose unethical practices were exposed after he received critical alarm for good work." -- Screen Red

Winfried doesn't see much of his working daughter Ines. He pays her a surprise visit in Bucharest, where she's busy as a corporate strategist. The geographical change doesn't help them to see more eye to eye. Practical joker Winfried annoys his daughter with corny pranks and jabs at her routine lifestyle of meetings and paperwork. Father and daughter reach an impasse, and Winfried agrees to go home to Germany. Enter Toni Erdmann: Winfried's flashy alter ego. Disguised in a tacky suit, weird wig and fake teeth, Toni barges into Ines' work circle, claiming to be her CEO's life coach. As Toni, Winfried doesn't hold back, and Ines meets the challenge. The harder they push, the closer they become. In all the madness, Ines begins to see that her eccentric father deserves a place in her life.

A dozen different souls-all moving in different directions, all longing for something more. As their lives unexpectedly intersect, they each are about to discover there is power in the Cross of Christ ... even if they don't yet believe it. When a local pastor is shaken to the core by the visible faith of an old street-corner preacher, he is reminded that true belief always requires action. His response ignites a faith-fueled journey that powerfully impacts everyone it touches in ways that only God could orchestrate. This stirring new film from the creators of God's Not Dead arrives in theaters Spring of 2015. More than a movie, it's a question we all must answer in our lifetimes: DO YOU BELIEVE?

It's the 1980s. Brother and sister Christopher Jr. and Cathy Dollanganger, a surgeon and ballet teacher respectively, are the product of an incestuous but loving relationship between their married parents, who were half-uncle to niece. Chris and Cathy are now married to each other, and live under the last name Sheffield, the surname of who ended up being their adoptive father. They managed to escape from their mother, born Corrine Foxworth, who once tried to kill them so that she could inherit her estranged father's vast estate. Corrine, who ultimately did inherit all the money, was eventually institutionalized following a mental breakdown. Cathy has two children, teenager Jory, whose biological father is now deceased ballet dancer Julian Marquet, and preteen Bart, whose biological father is now deceased Bart Winslow, Corrine's second husband. While Jory knows about Julian, Bart knows nothing about Bart Sr.; neither knows about Chris and Cathy's sibling relationship. Chris treats both boys as his own, and visa versa. These secrets abound in the Sheffield home, despite Chris having a policy of no secrets. Despite the possibility of being found out, Chris and Cathy decide to adopt an adolescent girl, Cindy, one of Cathy's ballet students whose mother has just died following an illness. The Sheffield house of cards could come tumbling down around them when, not by accident, Corrine, now out of the hospital and with her inherited wealth, moves in next door, she who wants to revive her relationship with the only family she has. She uses Bart as her pawn, he the insecure one in the family. But it's the actions of a bystander who wants to continue with the fire and brimstone beliefs of Corrine's now deceased mother, the religiously fanatical Olivia Foxworth, that may not only bring the house of cards down but kill many under its weight with Bart's help.

Two schoolboy delinquents learn a lesson that they will never forget when a teacher at the end of his tether decides to abduct them.

A cinematic mixture: black comedy, musical, fantasy, even sitcom and thriller. Thirteen episodes in which we accompany a student, a musician, a lesbian, a North Korean defector and others, all dressed in the same shop uniform during one work shift.

Dheepan is a Tamil freedom fighter, a Tiger. In Sri Lanka, the Civil War is reaching its end, and defeat is near. Dheepan decides to flee, taking with him two strangers - a woman and a little girl - hoping that they will make it easier for him to claim asylum in Europe. Arriving in Paris, the 'family' moves from one temporary home to another until Dheepan finds work as the caretaker of a run-down housing block in the suburbs. He works to build a new life and a real home for his 'wife' and his 'daughter', but the daily violence he confronts quickly reopens his war wounds, and Dheepan is forced to reconnect with his warrior's instincts to protect the people he hopes will become his true family.

The Mehra family must contemplate over their way of living and their love lives while on a cruise celebrating their 30th wedding anniversary.

In 1918, with her husband working in the War office - and subsequently leaving the family - devoted mother Annie Lee takes her step-daughters and her own children to live in the idyllic Gloucestershire countryside, the youngest being the sickly Laurie, known as Loll. Here they witness two feuding matrons, Granny Trill and Granny Wallon and shelter a young army deserter hiding in the woods until his capture. At school Loll and his classmates are terrorized by the formidable teacher Crabby until hulking Spadge Hopkins literally puts her in her place. Far more important to Loll's schooldays are the captivating Burdock sisters, Jo and Rosie, and, as he grows into adolescence and beyond, eventually leaving home to seek his fortune, he samples the delights of cider with Rosie.