A teenage girl's life gets turned upside down when a new school friend turns out to be a pop star.

Raimunda, her daughter Paula and her sister Sole travel from Madrid to the windy and superstitious village of Alcanfor de las Infantas to visit the grave of their mother Irene, who died years ago in a fire with her husband. Then they visit Irene's sister Paula, an old senile aunt that raised Raimunda after the death of her parents that insists to tell them that Irene is alive and living with her; later, they go to the house of her neighbor and friend Agustina, who gives a support to Paula. They return to Madrid, and after a hard day of work, Raimunda meets her daughter completely distraught at the bus stop waiting for her. When they arrive home, Paula tells her mother that she killed her unemployed father Paco, who was completely drunk and tried to rape her. While Raimunda hides his body, Sole calls her to tell that their beloved aunt Paula has died. The next morning, Sole travels alone to the funeral, and when she returns to Madrid, she finds her mother hidden in the trunk of her car. She brings Irene to her apartment, where secrets from the past are disclosed.

The film follows Nishi, a loser who has a crush on his childhood girlfriend. After an encounter with the Japanese mafia, the film follows Nishi as he journeys to heaven and back, and ends up trapped in an even more unlikely place. Nishi (and some friends) attempt to break out of their trap, and discover what it truly means to be alive along the way. This is a mind-bending trip that uses some of the most innovative animation ever created.

Daddy Day Care pals Charlie and Phil are back in this hilarious, all-new adventure: Daddy Day Camp! When the dads expand their childcare magic to underdog Camp Driftwood, they discover that teamwork, combined with some down-right crazy antics, is the right mix to give the kids an unforgettable camp experience!

After Sex is a background to examine intimacy and vulnerability. Looks at the complexity of modern day relationships told through eight separate couples. Through dialogue and compromising situations, the film takes us from the beginning of a relationship to the aftermath of one, and examines every stage in between seeing humor within the drama, heartache and confusion of it all.

Late at night, in an unnamed U.S. city, a solitary man sits at a bus stop. A pregnant woman runs by, pursued by a man with a gun. With reluctance, the man at the bus stop rescues her and assists with the baby's delivery, while additional pursuers fire at them, including the gang's particularly nasty leader, an intuitive man named Hertz. Our hero, known only as Smith, determines to save the child and find out why Hertz wants the baby dead. At a local bordello, he tries to employ a lactating hooker to watch the child, but things quickly escalate, and this makeshift family is soon on the run. Heavy metal music calms the baby. Why? A laboratory, gun factory, and presidential campaign all figure in Smith's quest for the child's safe deliverance.

Soldiers from both sides of the Korean divide live among villagers who know nothing of the war.

Three lazy misfits - very timid Elliot (Larry the Cucumber), lazy Sedgewick (Mr. Lunt) and no self-confident George (Pa Grape) - dream of the day of putting on a show about pirates. With their own problems of might not having this dream come true, they soon find themselves traveling back in time into the 17th century and begin a quest to rescue a royal family from an evil tyrant, and learn about being pirates.

Despondent over his breakup with Desiree, Zia slashes his wrists and goes to an afterlife peopled by suicides, a high-desert landscape dotted by old tires, burned-out cars, and abandoned sofas. He gets a job in a pizza joint. By chance, Zia learns that Desiree offed herself a few months after he did, and she's looking for him. He sets off with Eugene (an electrocuted Russian rocker) to find her, and they pick up a hitchhiker, Mikal, who's looking for the People in Charge, believing she's there by mistake. They're soon at the camp of Kneller, where casual miracles proliferate. They hear rumors of a miraculous king. Can Zia find Desiree? Then what? Where there's death there's hope.

When his father dies, Peter Gaulke inherits "Strange Wilderness," dad's TV show about animals. After ratings plummet and the show is canceled, we watch a long flashback to see its demise. The studio head gives the show two more weeks. An old friend brings a story about Bigfoot in Ecuador, so a long road trip ensues with stops along the way and enough problems, misjudgments, and deaths to sink a less intrepid band. Peter's team faces competition from a better-funded and more practiced set of rivals. Who will find Bigfoot first, and will they get it on tape and save the show? Can Peter make dad proud?

Cheery Alex Fletcher lives comfortably in Manhattan off the residuals from his 80's pop success and reprising his hits at school reunions, theme parks, and state fairs. But those gigs are declining, so he jumps at the chance to write a song and record it with reigning teen idol Cora Corman. Trouble is, he's good at melodies but needs a lyricist and has less than a week to finish. Enter Sophie Fisher, subbing for a friend who waters Alex's plants; she's a pretty good poet, quick witted, and could do it, if she'd agree. But there's some sort of shadow over her head that Alex may not be able to charm his way past. And what if they do get a song written, what then?

Sadie and Ben are in love, and although Ben suggests getting married in the Caribbean, Sadie has her heart set on a wedding at the family church, St. Augustine's. Ben says sure, and they meet with the pastor, Rev. Frank. The only date open for two years is three weeks away, and Frank insists the kids go through his marriage prep course. They're to write their own vows; he also demands chastity, bugs their apartment, initiates arguments, has them care for robot twins, creates friction between Ben and her family, and raises doubts in Sadie. Desperate, Ben looks for dirt on Frank. Can he undermine Frank's authority and keep Sadie's heart?

A slacker hatches a million-dollar idea. But, in order to see it through, he has to learn to trust his attractive corporate counterpart. Based on Max Barry's novel.

The story takes place on planet Baab where admired astronaut Scorch Supernova (Brendan Fraser) is a national hero to the blue alien population. A master of daring rescues, Scorch pulls off astonishing feats with the quiet aid of his nerdy brother, Gary (Rob Corddry), head of mission control at BASA.

Brenda wears comfortable, cotton panties; Nikki wears sheer, lacy thongs. Richard Cooper is in the middle, with a good job in Manhattan, a house in the suburbs, and two cute children with Brenda, his intelligent, good-looking wife who's a teacher. But there's no sex in this seven-year marriage, so Richard's bored. Into the mix walks Nikki, a sexy, sassy, single friend he's not seen in years. Nikki has problems and finds a reason to stop at his office every day. He tries to help, they have some fun, and he doesn't mention Nikki to Brenda. His work and reputation suffer. Is he about to scratch the seven year itch? What choices does Richard have?

Henry is a young FBI agent. During a three-year absence from his home in Shreveport, his mother Marty loses more than 100 pounds, looks great, and to Henry's embarrassment, has become a party animal. Within a day of Henry's returning home with his fiancée, Emily, who's an FBI profiler, Marty meets Tommy, a suave foreigner. He's posing as a consultant, but he's an international art thief, in town to steal "Mother and Son," a Bernini sculpture. Henry is detailed to head a team keeping his mom's new boyfriend under surveillance. Love, law enforcement, and filial devotion are set to collide.

An eighteen year old high school drop out and his twenty-seven year old friend start trafficking marijuana across the border of Canada in order to make money and their lives are changed forever.

Superstar magicians Burt Wonderstone (Steve Carell) and Anton Marvelton (Steve Buscemi) have ruled the Las Vegas Strip for years, raking in millions with illusions as big as Burt's growing ego. But lately the duo's greatest deception is their public friendship, while secretly they've grown to loathe each other. Facing cutthroat competition from guerrilla street magician Steve Gray (Jim Carrey), whose cult following surges with each outrageous stunt, even their show is starting to look stale. But there's still a chance Burt and Anton can save the act - both onstage and off - if only Burt can get back in touch with what made him love magic in the first place.

Close to the entrance to Death Valley is the God-forsaken town of Trona. It's nearly empty: dry, with polluted water and poisoned soil. Dilapidated houses hold slackers and stoners. The town is virtually owned by Dirk, a heartless young meth dealer. In the midst of this lives Ray Tuckby, a naïf, unhappily married with a slothful son. The highlight of Ray's day is chatting with Nora, a clerk at the market. When Ray comes home early from work and finds his wife in bed with his brother, a few things start to change. Then he meets Merl, who's putting in a Chevron station, and Merl encourages Ray to dream. Can he? A recipe for meringue may hold one of the keys.

After ten years, Sheldon returns from New York City to Paris, Georgia. His mother Evelyn, a laundress who is stubborn, ornery, opinionated, mean-spirited, insulting, and inflexible, has sent a ten-year-old boy who says he's Sheldon's son up to see Sheldon. Sheldon comes home to straighten things out. Old arguments flare up - between mother and son and between brothers. Sheldon wants no part of fatherhood or family. Then, someone else from New York shows up at Evelyn's door, bringing a new set of challenges. Will this family ever stop airing its dirty laundry? And what of Sheldon: where is his pride? Can he, in the words of James Baldwin, go where his blood beats and live the life he has?