It's 1938, but Stan doesn't know the war is over; he's still patrolling the trenches in France, and shoots down a French aviator. Oliver sees his old chum's picture in the paper and goes to visit Stan at the Soldier's Home. Thinking Stan is disabled (it's just that he's sitting on his leg), Oliver takes pity on him and takes him home for a nice home-cooked meal. But Oliver's wife has other ideas and leaves him to fend for himself. After blowing up the kitchen, Oliver is helped by his next-door neighbor, Mrs. Gilbert... until the big-game hunting Mr. Gilbert comes home unexpectedly, carrying a shotgun.

The boys' Army buddy, Eddie Smith, is killed in the trenches in France, leaving his baby girl an orphan. Back home after Armistice, they try to find Eddie's father and turn the child over to him. Unfortunately, they keep coming up with the wrong Smiths, and in the process disrupt a wedding by proclaiming the baby to be the groom's child. To evade the Welfare Association, they try to skip town, raising money for their escape by hocking their lunch wagon. But they accidentally knock the bank president unconscious and wind up being hunted down for bank robbery.

The trademark of The Phantom, a renowned jewel thief, is a glove left at the scene of the crime. Inspector Clouseau, an expert on The Phantom's exploits, feels sure that he knows where The Phantom will strike next and leaves Paris for Switzerland, where the famous Lugashi jewel 'The Pink Panther' is going to be. However, he does not know who The Phantom really is, or for that matter who anyone else really is...

Still Life is a poignant, quixotic tale of life, love and the afterlife. Meticulous and organized to the point of obsession, John May (Eddie Marsan) is a council worker charged with finding the next of kin of those who have died alone. When his department is downsized, John must up his efforts on his final case, taking him on a liberating journey that allows him to start living life at last.

Following the disappearance of his wife, a man finds himself on a dark and twisted trail of discovery through the labyrinthine halls of his apartment building. Led on a wild goose chase by cryptic messages from his mysterious neighbours, he becomes entangled in a hellish nightmare as he unlocks their strange fantasies of sensuality and bloodshed. The Strange Colour Of Your Body's Tears is a visually dazzling experience from the creators of Amer that takes you on a journey into mystery and blood soaked terror that you will never forget.

After losing control of his car and crashing into a local restaurant, a man loses consciousness on the street. Later, while working on a case, the police's anti-drug division captain, Zhang Lei (Honglei Sun), realizes that the man in the crash is drug lord Tian Ming (Louis Koo). In order to avoid the death penalty, Tian Ming helps the police put a stop to the entire drug trafficking circuit, but just as soon as the police are ready to make a large bust, Tian Ming makes a decision that shocks everyone involved.

The story centers on Charlie, a Los Angeles billionaire financial whiz who goes into self-imposed exile in Tijuana after his empire is revealed to have been a Ponzi scheme. While looking for the woman he abandoned there 25 years before, Charlie is pursued by a Mexican gangster, a federal agent and thugs sent by a former client looking to retrieve his money.

In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) - high schools that produce Nazi elite. Over his father's objections, Friedrich enrolls, seeing this as his ticket out of factory life to university and a good salary. During his year in seventh column (fifth form), this innocence is altered as Friedrich encounters hazing, cruelty, death, and the Nazi code. His friendship with Albrecht, the ascetic son of the area's governor, is central to this education; a night in the forest hunting for escaped Russian POWs brings things to a head.

Things go wrong for a high ranking mobster when he doesn't proceed by his boss's orders.

"The Croods" are an eccentric family of cavemen, who survive the harsh terrain by living accordingly to a strict set of rules. But when their home is destroyed in the wake of an impending disaster known as "The End", they are forced to leave their home of shelter and security, and into the wilderness of the unknown to find a new home.

A weather man is reluctantly sent to cover a story about a weather forecasting "rat" (as he calls it). This is his fourth year on the story, and he makes no effort to hide his frustration. On awaking the 'following' day he discovers that it's Groundhog Day again, and again, and again. First he uses this to his advantage, then comes the realisation that he is doomed to spend the rest of eternity in the same place, seeing the same people do the same thing EVERY day.

North of the Arctic circle, on the ancestral lands of the indigenous sami people: Kiruna, a small community built around an iron ore mine - a mine that is its throbbing heart and main economic activity, feeding but also gradually destroying the ground. Here, a group of youngsters are about to take the leap in the adult age, while the ground literally trembles under their feet. From the winter cold to summer greenery, they will fight with themselves and the world around them, learning to live, love and dream - while the city also is in a time of change, forced to move elsewhere due to the explosions mining the ground.

At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex. A police detective, Web Smith is called in to investigate but before getting there, he gets a call from someone who instructs him to pick up John Connor, a former police Captain and expert on Japanese affairs. When they arrive there Web thinks that everything is obvious but Connor tells him that there's a lot more going on.

A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television. After a run in with a limousine, he ends up a guest of a woman (Eve) and her husband Ben, an influential but sickly businessman. Now called Chauncey Gardner, Chance becomes friend and confidante to Ben, and an unlikely political insider.

When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable nature, despite his socialistic views about business and religion. But Don Lope's one weakness is women, and he falls for the innocent girl in his charge, seduces her, makes her his lover, though all the while explaining to her that she is as free as he. But when she acts on this freedom, Don Lope must deal with the consequences of his world-view.

The film version of the crazy-revue by Stig Bergendorff-Gösta Bernhard. A movie madness hitting the knot on each other, with all types of music, beautiful girls, ugly guys. Casino-the gang consists of Gösta Bernhard, Carl-Gustaf Lindstedt, Gunnar Knas Lindkvist, Gus Dahlström, Gösta Krantz, Siv Erick, Anna Sundqqvist and Casino Girls Recorded during a performance at the Intimate Theatre, Stockholm, 4 April 1974.

In this inspired, genre-twisting new film, Oscar®-nominated writer/director Sarah Polley discovers that the truth depends on who's telling it. Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions. As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions. Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the larger human story.

A bus load of American students, all jocks, cheerleaders and nerds, are on a culture trip in Europe when they stumble upon a mysterious Hamburger stand in the deep European woods, selling 100% American Burgers. A visit to the Burger Factory behind the stand, renders them trapped in this unknown territory, and they are about to realize that European notion of American Hamburgers is terrifyingly different from what they're used to... The road trip descends into a battle for survival as Americans are treated as cows. Who's going to end up in the slaughterhouse? Will the nerds ever get to score with the cheerleaders? Cliques are formed... Strategies are made... And in the midst of it all they learn a thing or two about friendship, survival, consumerism, horny teenage urges and, perhaps most importantly, to never visit a fast-food restaurant ever again. And the nerds somehow end up having the... Best. Summer. Ever.

Eccentric millionaire Fredrick Loren and his 4th wife, Annabelle, have invited 5 people to the house on Haunted Hill for a "haunted House" party. Whoever will stay in the house for one night will earn ten thousand dollars each. As the night progresses, all the guests are trapped inside the house with ghosts, murderers, and other terrors.

Remake of the 1958 horror sci-fi about a deadly blob from another planet which consumes everyone in its path. Teenagers try in vain to warn the townsfolk, who refuse to take them seriously.