Company commander Claus M. Pedersen (Pilou Asbæk) and his men are stationed in an Afghan province. Meanwhile back in Denmark Claus' wife Maria (Tuva Novotny) is trying to hold everyday life together with a husband at war and three children missing their father. During a routine mission, the soldiers are caught in heavy crossfire and in order to save his men, Claus makes a decision that has grave consequences for him - and his family back home.

While traveling across country with her fiancé, Beth wakes alone in an isolated clinic to find her unborn baby has been removed. Just how far will she go to get her child back?

Ragini re-locates to distant Lal Matti along with her Superintendent of Police husband, Dev Pratap Sharma, in order to enable him to apprehend a bandit, Beera Munda. Shortly thereafter her life will be turned upside down when she will be abducted by Beera and held captive. It is during this captivity she will not only find out that her fate will be decided within 14 hours, but also the real reason behind her abduction.

For the last 8 years the brothers have been living with their father on a sheep farm deep in isolated Ireland. One day their uncle tells them that they have been framed for the murder of a Bostonian Catholic priest. The boys must return to Boston to not only clear their names but find the men who framed them.

Writer Jennifer Hills (Butler) takes a retreat from the city to a charming cabin in the woods to start on her next book. But Jennifer's presence in the small town attracts the attention of a few morally depraved locals who set out one night to teach this city girl a lesson. They break into her cabin to scare her. However, what starts out as terrifying acts of humiliation and intimidation, quickly and uncontrollably escalates into a night of physical abuse and torturous assault. But before they can kill her, Jennifer sacrifices her broken and beaten body to a raging river that washes her away. As time passes, the men slowly stop searching for her body and try to go back to life as usual. But that isn't about to happen. Against all odds, Jennifer Hills survived her ordeal. Now, with hell bent vengeance, Jennifer's sole purpose is to turn the tables on these animals and to inflict upon them every horrifying and torturous moment they carried out on her... only much, much worse.

Cuba, 1948. Chico is a young piano player with big dreams. Rita is a beautiful singer with an extraordinary voice. Music and romantic desire unites them, but their journey - in the tradition of the Latin ballad, the bolero - brings heartache and torment. From Havana to New York, Paris, Hollywood and Las Vegas, two passionate individuals battle impossible odds to unite in music and love.

Lenny Freeman is a straight-laced old-school accountant with a dream; to become a famous stand-up comedian. The problem is he's not very funny. Not even close. When his mother dies, leaving him nothing but debt and her '53 Oldsmobile, Lenny hits the road to chase his dream in Vegas and auditioning for Monte Guy's annual "Stand-Up Stand-Off". Along the way (and against his better judgment) Lenny picks up a mysterious traveler named "Hitch" and his trip quickly turns from bad to worse when they stop at a small-town bar. Lenny jumps on stage as a warm-up act, but a run-in with a heckler leads to murder. Now with a dead body in his trunk, Lenny and Hitch are on the run. As the body count piles up, Lenny tries to free himself from his psychotic sidekick and escape to Vegas with the girl of his dreams. But Hitch won't shake so easily. They've got a contract. And the devil is in the details...literally. Not to mention the fact that all this blood and mayhem is having a strange side-effect on Lenny. It is actually improving his comedy.

DEIDRA & LANEY ROB A TRAIN is the story of two teenage girls who start robbing trains to make ends meet after their mom goes to jail. Set in present day, with shades of RAISING ARIZONA and LITTLE MISS SUNSHINE. Written by Shelby Farrell, with Sundance Film Fest alum Sydney Freeland (DRUNKTOWN'S FINEST) directing, and Susan Cartsonis (THE DUFF, WHAT WOMEN WANT) and Nick Moceri (A GIRL WALKS HOME ALONE AT NIGHT) producing.

Following an ace assassin who is double crossed by gangsters and falls into the hands of rogue surgeon known as The Doctor who turns him into a woman. The hitman now a hitwoman sets out for revenge, aided by a nurse named Johnnie who also has secrets.

When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.

In a daring robbery, some $300,000 is taken from the Italian mob. Several mafiosi are killed, as are two policemen. Lt. Pope and Mattelli are two New York City cops trying to break the case. Three small-time criminals are on the run with the money. Will the mafia catch them first, or will the police?

The tale of an outlaw who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met.

It's campaign season, and the students of Lincoln High are buzzing about who's going to be class president... But when a psycho dressed as Abraham Lincoln starts hacking up students, the candidates must run... for their lives. One-by-one, the mighty Lincoln Lambs are being slaughtered by the merciless maniac in the stovepipe hat. Everyone is dying for a vote...

In upstate New York, two teenage boys are tasked with cleaning out their father's old mobile home on an abandoned property, but the boys are in for a surprise when they discover three crooks on the run have taken refuge in the trailer.

Gettin' Square is about starting over, keeping clean and going straight. Barry Wirth is fresh out of prison and determined to stay on the straight and narrow. But like his mate Johnny 'Spit' Spiteri and reformed gangster turned restaurateur Dabba, he finds out the hard way that there are old scores and a few new ones that'll make getting square a lot harder than he thought.

Set in the future when the US economy is on the brink of yet another massive financial crisis, The Crash tells the story of Guy Clifton (Frank Grillo), a federally-indicted stock trader, who is secretly enlisted by the federal government to help thwart a cyber-attack aimed at the US stock markets - an attack that could permanently cripple the economy. Our 'richer than God' protagonist is charged with assembling a team capable of running the government's top secret 'shadow stock exchange' in an attempt to keep the markets from mass panic in the event the cyber-hijack is successful. Having only ever been fueled by his love of money, Guy fully intends to use his insider knowledge of this world catastrophe for personal gain until he unearths the organization behind the attack and discovers its motives. For the first time in his life, Guy is challenged to make decisions not only for himself, but also for the good of his country - decisions that are rooted in morality rather than dollar signs. This fast-paced, save-the-world thriller is a story of redemption that also challenges the audience to question if their money is safe, and if so, for how long.

Miller lives alone in an abandoned Alabama slaughterhouse. His memory and sanity are shattered and his only company is the spirit of his lover, who was murdered a decade ago. Ruth arrives, desperate to discover the truth about her mother's death. She stays with Miller for three nights. Together they piece together the fragments of his memory, but they are horrified at what they uncover.

A sheriff (Thornton) begins an investigation into the death of a local trans individual after hearing that high ranking politicians may have been involved. Although he is homophobic, his investigation causes him to be rejected by others, forcing him to seek help from the people he once despised.

As a tropical storm beats down on the island of Cebu, two sisters leave work and never make it home... Simultaneously a murder-mystery and an exposé of endemic corruption in the Philippines today, GIVE UP TOMORROW looks intimately at the case of Paco Larrañaga, a student accused of killing two sisters in July 1997. In a way that is both specific to the country and disquietingly universal, the film exposes a Kafkaesque extravaganza populated by flamboyantly crooked public officials, cops on the take, and a frenzied legal and media circus. GIVE UP TOMORROW is also an intimate family drama focused on the near mythic struggle of two angry, sorrowful mothers who have dedicated more than a decade to executing or saving one young man.

Moo-hyuk is journalist... but actually is not doing very well in his job. Thats why he probably get fired soon and his wife is threatening him with divorce. But just in that situation he stumbles upon a memo of a serial killer. Moo-hyuk takes the chances and writes a passionate article about it which makes him a star in the media. Of course, the police immediately starts to investigate the case, but finds no body. Also Moo-hyuk has no idea until he finds out that this memo was just part of Chinese novel called "Liang Chen Murder Record". In other words: Moo-hyuk has done quite some shit! He could loose his job, his respect and even has to go to jail. So Moo-hyuk has only the choice of clearing his "mistake" or giving the police and the public what they want: many many corpses.